POETRY ANNIVERSARY STATEMENT FEATURED ARTIST CONTRIBUTORS GUIDELINES ABOUT TIMELINE
Susan McLean


Brief Lives of the Poets

Was it a genetic trait, her pallor,
passed down from her mother, or a marker
of latent cancer? Had she feared her lover
planned to leave her? Did her poems pull her
out of the sunshine, trap her in her chamber?
Or was the bridge she built of words her savior,
lifting her over the hypnotic river?
Was she always taunted by the laughter
of others? Did she take her pills with liquor?
Did she choose a granite ridge to build her
house on, unaware the gas would kill her?
Would it ease her mind to know we have her
preserved in poems, like a bee in amber?




The Whetstone Misses the Knife

I answered your desire to meet
resistance and be honed by friction.
Sharp as you were, you couldn't beat
the zero-sum of contradiction.

Abrasion was your privilege,
the only stroking I have known.
Now you have lost your cutting edge
and I am just another stone.

































AUTHOR BIO

Susan McLean teaches English at Southwest Minnesota State University. Her book The Best Disguise won the 2009 Richard Wilbur Award and was published by the University of Evansville Press. Her poems have appeared recently in Measure, First Things, Umbrella, and Light Quarterly.

POETRY CONTRIBUTORS

Taylor Altman
Barb Crane
Janann Dawkins
Rose Kelleher
Athena Kildegaard
Jean L. Kreiling
Barbara Loots
Susan McLean
Mary Meriam
Annabelle Moseley
Wendy Sloan
Janice D. Soderling
Alison Talbott
Catherine Tufariello
Deborah Warren
Joyce Wilson
Marly Youmans

NEWS
AWP, Washington, D.C.
The Mezzo Cammin Women Poets Timeline Project
(Anna Evans, Kim Bridgford, Erica Dawson, Jehanne Dubrow, Kathrine Varnes)
Room: Virginia A
Marriott Wardman Park
Lobby Level
Saturday, February 5
10:30-11:45 AM

Fifth-Anniversary MC Reading
West Chester University Poetry Conference
Friday, June 10
8:15 AM
FEATURED ARTIST
Meredith Bergmann: An artist's statement is a formal thing--not written out in lines, but still constrained in length, and more particularly, tone. One should assert one's strategies, and boast about creative mischief. (Dithering is better done in verse.) But I'm restrained by wanting you to find out on your own what tickles me, and what moves me the most.

I sometimes doubt that humor really heals. Perhaps I want to wound instead, to wake; to wrong what may too easily be right. I love how sudden recognition feels, and play with that in everything I make--as in my second sonnet for this site.
ARCHIVES
LINKS
POETRY
32 Poems
The Academy of American Poets
The Atlantic
The Christian Science Monitor
The Cortland Review
Favorite Poem Project
The Frost Place
The Iowa Review
Light Quarterly
Modern American Poetry
Measure
The Poem Tree
Poetry
Poetry Daily
Poetry Society of America
Poets House
Raintown Review
Slate
String Poet
Valparaiso Poetry Review
Verse Daily
Women's Poetry Listserv
The Yale Review

CONFERENCES
AWP
Bread Loaf
Poetry by the Sea
Sewanee


PUBLISHERS

Barefoot Muse Press
David Robert Books
David R. Godine Press
Graywolf Press
Headmistress Press
The Johns Hopkins University Press
Louisiana State University Press
Northwestern Univ Press
Ohio Univ Press
Persea Books
Red Hen Press
Texas Tech Univ Press
Tupelo Press
Univ of Akron Press
Univ of Arkansas Press
Univ of Illinois Press
Univ of Iowa Press
Waywiser Press
White Violet Press

BOOKS
Alibris
City Lights
Grolier Poetry Bookshop
Joseph Fox Bookshop
Prairie Lights
Tattered Cover Bookstore

OTHER RESOURCES
92nd Street Y
Literary Mothers
NewPages.com
Poets & Writers
10X10