POETRY CRITICISM FEATURED ARTIST CONTRIBUTORS GUIDELINES ABOUT TIMELINE
Dolores Hayden


Around, In and Under Her Bed

Handblown blue-gray glass beads escape,
roll off a braid, lavender twine
I knotted for a little wrist.
Calico sticks to a block of pine,

six china kittens curl below
one of her boyfriend's white crew socks,
lipsticks, a black suede driving glove,
yellow silk scarf still in the box.

We form a family of keepers--
way at the back, under her bed
two sleeping streets of trees and houses
recline, replete with stories. Red

gambrels, scuffed trucks layer a midden
so many childhood years in the making.
This week she wears a plastic nametag,
checks off the courses she is taking.

As the class of 2010 lies down
in long-twins beds, I sift, excise,
I dig to rediscover two
blue beads the color of her eyes.

I underestimated ordinary happiness.



Ultrasound Photograph

              --image at twelve weeks by sonic echo

Ten perfect toes. To her she's bound,
new life. And life can still astound.
But life is frail. Cautions redound,
contractions grip, resound, resound.
Feet high, she lies two weeks bed-bound.
Hour after hour, round and around
fears coil, fears stretch, fears chase, surround
each fetal heartbeat, small, small sound.

Miscarriage is a life unwound.
Each day her grief grows more profound,
she lives to grieve (what loss she's found),
bury a bright and wondrous wound,
inter the image underground,
girl child seen once on ultrasound.



Woad

Rogue cells rife,
you wear these marks
like a side of beef,

your hips blue-inked,
squared-up in grief,
your groin blue-inked,

cross-hair
for radiation,
there. And there.

I kiss your lips,
worry my hands
down your blue hips.

"My woad," you whisper.

































AUTHOR BIO

Dolores Hayden's collection, American Yard, was runner-up for best book award from the New England Poetry Club. Poetry has appeared in The Yale Review, Southwest Review, Kenyon Review, and is forthcoming in The American Scholar and The Best American Poetry 2009. She is a professor of architecture and American Studies at Yale who also writes non-fiction about urban and suburban landscapes. Earlier work in Mezzo Cammin: 2006.2

POETRY CONTRIBUTORS

Sarah Busse
Barbara Crooker
Jehanne Dubrow
Annie Finch
Ann Fisher-Wirth
Dolores Hayden
Melanie Houle
Michele Leavitt
Diane Lockward
Charlotte Mandel
Ann Michael
Tatyana Mishel
Jennifer Reeser
Wendy Sloan
Diane Arnson Svarlien
Marilyn Taylor
Kathrine Varnes
Terri Witek
Marly Youmans

FEATURED ARTIST
Marion Belanger: My current project, Continental Drift: Iceland/California, is structured around the geologic boundary that forms the edge of the North Atlantic Continental Plate. I was particularly interested in the fact that this geological boundary has no political allegiance, was not determined by wars, by financial interest, or national demarcation. It is a boundary that cannot be controlled or contained by human intervention.
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