POETRY FEATURED PROSE FEATURED ARTIST CONTRIBUTORS GUIDELINES ABOUT TIMELINE
Marly Youmans


The Merchant and the Stylite

Whether he was comely I cannot say,
But he was born in Sis, Cilicia;
His father was a shepherd; that is sure,
And while he was still young this Simeon
Was lured by tales of the rabble-rousing Christ
Who with but words could still a storm at sea
And bid tranquillity to dazzle men.
How strange it is that such a force would yield
And almost run to clasp disgrace and death:
Do not suspect that I would choose the same!
Simeon was like a gale of ruin,
A tsunami of strain and suffering:
He was booted out of the monastery,
So wild his wish to be a sacrifice.
At last he squatted on a pillar-top,
Ate flatbread and goat's milk, but sparingly,
Allowed his visitors to prop ladders
Against the stone and climb to bawl their woes.
The Emperor Theodosius
And Aelia Eudocia his wife
Thought well of Simeon and his advice,
And many launched a pilgrimage to him
In hope or else in curiosity.
I was one, as meddlesome as any,
And not a jot regretting what I found,
Craning to snag a glimpse of Simeon
And never gaining a clear peep, so high
He was, and busy stooping, head to toes.
Some people said he was nigh fifty years;
Crowds called him Simeon Stylites then,
And only later did they dub him Saint.
He had a weeping ulcer on his thigh,
And I the pilgrim with the quick-eyed luck,
Scurrying to harvest fallen maggots,
Plump and pulsing with the saintly flesh—
Trapped in reliquaries of gilt and glass,
They fetched me a good price in Antioch.


The Maiden-saint of France

While still a child I was a thing men fear,
The fire-struck one who has the ears to hear

Far voices swinging, singing in the light
That pours to order chaos into right,

To call a girl to cross-dress as a knight
And rule as man, subvert the nobles' might,

And crown a king: to blaze against the stake;
To be forsaken by the world; to break.

I was content to spin and tend the sheep,
My mind and body drifting, half asleep

Until the saints and angel came to me
Inside our garden, near the apple tree.

Tree and stake are one, like cross and tree:
It's perilous to have the eyes that see.


































AUTHOR BIO

Marly Youmans is the author of thirteen books of poetry and fiction. Forthcoming are Charis in the World of Wonders, a novel from Ignatius Press (San Francisco, CA), and The Book of the Red King, a sequence of poems from Phoenicia Publishing of Montreal.

POETRY CONTRIBUTORS

Barbara Crooker
Alexandra Donovan
Jehanne Dubrow
Kathleen Goldbach
Colleen S. Harris
Brittany Hill
Katherine Hoerth
Lynne Knight
Jean L. Kreiling
Angie Macri
Carolyn Martin
Kathleen McClung (Featured Poet)
Mary Mercier
Ann Michael
Leslie Schultz
Myrna Stone
Jean Syed
Ann Christine Tabaka
Sally Thomas
Doris Watts
Joyce Wilson
Marly Youmans

NEWS

The most recent addition to The Mezzo Cammin Women Poets Timeline is Phillis Wheatley by Kathryn Voorhees.

Kathleen McClung is the recipient of the 2019 Mezzo Cammin Scholarship to the Poetry by the Sea conference.

FEATURED ARTIST
Morgan O'Hara:LIVE TRANSMISSIONS render visible normally invisible or fleeting movement patterns through seismograph-like drawing done in real time. The pursuit of vitality carefully observed through human activity is drawn simultaneously with both hands and transmitted to paper. Following closely the intensity of each segment of an activity, the direction of the line as well as the quality of its intensity is transmitted. If a person makes a gentle movement, a delicate line is drawn. If the action followed is forceful or violent, a correspondingly vigorous line is made. This is done simultaneously and as much as possible without “thinking." The dialectic between observer and participant, control versus relaxed participation coalesce to form the conceptual base for LIVE TRANSMISSIONS. Scale and physical limitations are determined by real-life expediency. In 2018 there exist approximately 4000 LIVE TRANSMISSION drawings done both privately and publicly on five continents. LIVE TRANSMISSIONS communicate beyond the specificity of language.

HANDWRITING THE CONSTITUTION is a social art practice which O’Hara began in January 2017. It is a process by which people come together for a specific time period to handwrite the Constitution. This practice encourages a quiet, introspective process, a form of activism for introverts. As people copy out texts which guarantee freedom and human rights, a strong sense of community is silently created. www.handwritingtheconstitution.com

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