POETRY FEATURED PROSE FEATURED ARTIST CONTRIBUTORS GUIDELINES ABOUT TIMELINE
Brittany Hill


Therapy

Why did you come and talk with me today?
I loved a girl; she left and broke my heart.
Well, for a price, I'll take your cares away!

I do hope that you can afford to pay…
Exactly when will the therapy start?
Why did you come and talk with me today?

Was it some broken heart? What did you say?
I feel as if my soul's been ripped apart.
Well, for a price, I'll take your cares away!

Perhaps you need a scrip: "Take twice a day".
No, no…I'm just another broken heart.
Then why'd you come and talk with me today?

I cannot see the time; please move away.
I need advice! Something like a life chart.
Well, for a price, I'll take your cares away!

I think our time is up; what's left to say?
I loved a girl; she left and broke my heart.
So why'd you come and talk with me today?
No price will ever take that pain away.


Grandma's Relationship Advice to Me on My 16th Birthday

That is not like a lady! Act like so:
Walk straight and dignified with hands on hips.
A lady never interrupts, you know…

This is the way things were some time ago:
Chest out! Butt in! Keep pride at fingertips.
Always be like a lady! Act like so:

Don't slouch! Don't pout! A smile will make you glow.
First dates never get pass your puckered lips…
A lady never interrupts, you know!

You never try to catch a man, he shows
The world to you—now that is true courtship!
Be treated like a lady? Act as so.

I've got some good advice for dinner, too!
You must not ever gulp! Take tiny sips.
A lady never interrupts! You know,

Your mom had this advice some years ago—
And she's happily married from my tips.
She's always stayed a lady, honey, so…
A lady never interrupts you know!

































AUTHOR BIO

Brittany Hill is a graduate of Fairfield University with a BA degree in Psychology and a minor in English. She also has an MFA in Creative Writing from Fairfield University where she concentrated extensively on various poetic genres. She was an associate editor of Dogwood: A Journal of Poetry and Prose. She was also part of Fairfield University's "Poetry by Stealth" initiative, which was comprised of the best poets on Fairfield University's campus, and was also a judge for Poetry for Peace, a poetry competition for kindergarten through eighth grade students in Fairfield and Bridgeport. In Fairfield University's MFA program, she was the poetry co-editor for their online journal, Mason's Road, which is now the new causewaylit. She is currently an adjunct English professor at several universities and freelance editorial consultant. Brittany has been published in Mezzo Cammin (June 2011), WestWard Quarterly (Winter 2012), The Waterhouse Review (2013), and has work forthcoming in assorted journals. When she isn’t writing, she spends her time reading suspense thrillers, composing music, traveling with family, and singing as a professional musician.

POETRY CONTRIBUTORS

Barbara Crooker
Alexandra Donovan
Jehanne Dubrow
Kathleen Goldbach
Colleen S. Harris
Brittany Hill
Katherine Hoerth
Lynne Knight
Jean L. Kreiling
Angie Macri
Carolyn Martin
Kathleen McClung (Featured Poet)
Mary Mercier
Ann Michael
Leslie Schultz
Myrna Stone
Jean Syed
Ann Christine Tabaka
Sally Thomas
Doris Watts
Joyce Wilson
Marly Youmans

NEWS

The most recent addition to The Mezzo Cammin Women Poets Timeline is Phillis Wheatley by Kathryn Voorhees.

Kathleen McClung is the recipient of the 2019 Mezzo Cammin Scholarship to the Poetry by the Sea conference.

FEATURED ARTIST
Morgan O'Hara:LIVE TRANSMISSIONS render visible normally invisible or fleeting movement patterns through seismograph-like drawing done in real time. The pursuit of vitality carefully observed through human activity is drawn simultaneously with both hands and transmitted to paper. Following closely the intensity of each segment of an activity, the direction of the line as well as the quality of its intensity is transmitted. If a person makes a gentle movement, a delicate line is drawn. If the action followed is forceful or violent, a correspondingly vigorous line is made. This is done simultaneously and as much as possible without “thinking." The dialectic between observer and participant, control versus relaxed participation coalesce to form the conceptual base for LIVE TRANSMISSIONS. Scale and physical limitations are determined by real-life expediency. In 2018 there exist approximately 4000 LIVE TRANSMISSION drawings done both privately and publicly on five continents. LIVE TRANSMISSIONS communicate beyond the specificity of language.

HANDWRITING THE CONSTITUTION is a social art practice which O’Hara began in January 2017. It is a process by which people come together for a specific time period to handwrite the Constitution. This practice encourages a quiet, introspective process, a form of activism for introverts. As people copy out texts which guarantee freedom and human rights, a strong sense of community is silently created. www.handwritingtheconstitution.com

ARCHIVES
LINKS
POETRY
32 Poems
The Academy of American Poets
The Atlantic
The Christian Science Monitor
The Cortland Review
Favorite Poem Project
The Frost Place
The Iowa Review
Light Quarterly
Modern American Poetry
Measure
The Poem Tree
Poetry
Poetry Daily
Poetry Society of America
Poets House
Raintown Review
Slate
String Poet
Valparaiso Poetry Review
Verse Daily
Women's Poetry Listserv
The Yale Review

CONFERENCES
AWP
Bread Loaf
Poetry by the Sea
Sewanee


PUBLISHERS

Barefoot Muse Press
David Robert Books
David R. Godine Press
Graywolf Press
Headmistress Press
The Johns Hopkins University Press
Louisiana State University Press
Northwestern Univ Press
Ohio Univ Press
Persea Books
Red Hen Press
Texas Tech Univ Press
Tupelo Press
Univ of Akron Press
Univ of Arkansas Press
Univ of Illinois Press
Univ of Iowa Press
Waywiser Press
White Violet Press

BOOKS
Alibris
City Lights
Grolier Poetry Bookshop
Joseph Fox Bookshop
Prairie Lights
Tattered Cover Bookstore

OTHER RESOURCES
92nd Street Y
Literary Mothers
NewPages.com
Poets & Writers
10X10