Submission Guidelines for Essays
ezzo Cammin welcomes submissions of essays on any aspect of poetry in form by women. Suggested topics include studies of the work of a single author or group of authors; studies of how women have treated a particular form (such as the sonnet, or experimental forms); or controversies surrounding women writers and form (such as canonization or evolving attitudes toward poetic form).
 |
 Although we do not require essays to focus primarily or exclusively on formal elements of the poetry discussed, we do expect that essay writers will include some commentary on form as a way of illuminating their arguments.
|
|
|
Although we do not require essays to focus primarily or exclusively on formal elements of the poetry discussed, we do expect that essay writers will include some commentary on form as a way of illuminating their arguments. We do not limit our purview to the twentieth century, or to poetry in English; however, we do ask you to provide translations if you submit an essay on women poets who write in languages other than English. Also, for essays accepted for publication in Mezzo Cammin, we may ask the writer to assist us in obtaining permission to quote coyrighted material. Unfortunately, at this time we do not pay for essays. We plan to run special features on a particular author or topic at least every other issue; the new topic will be announced in the preceding issue. Our preferred length is 5000 words (20 pages) but shorter or longer pieces may be considered. Please follow MLA citation format.
Please submit original, unpublished essays or queries as e-mail attachments in RTF (rich text format), to: kbridgford@yahoo.com
Poetry Submission Guidelines
Mezzo Cammin welcomes submissions of poetry that pays particular consideration to form. Poems in structured forms are especially welcome, but poems that use form in interesting and experimental ways are also encouraged.
Please submit four-six unpublished poems as e-mail attachments in RTF (rich text format) to kbridgford@yahoo.com.
|
|
|
|
|
|
|
|
|
|
|
|
 |
| Mary Temple has lived and worked in Brooklyn, New York for the past 20 years. She moved to the borough after completing her MFA in painting and drawing at Arizona State University. She then went on to study at Skowhegan School of Painting and Sculpture in 1999.
Mary Temple has exhibited her work throughout the US and abroad. The artist has completed commissioned projects at the San Francisco Museum of Modern Art, SF, CA; SculptureCenter, LIC, Queens, NY; Massachusetts Museum of Contemporary Art, North Adams, MA; The Aldrich Contemporary Art Museum, Ridgefield, CT; Rice Gallery, Houston, TX; Western Bridge, Seattle, WA; The Drawing Center, NY; UCSF Mission Bay Medical Center; The Bunkamura Museum, Tokyo, Japan; NYU Abu Dhabi, among many other venues. Her work has been reviewed in publications including, The New York Times, Artforum, ArtNews and Art in America. This year the artist will complete major public projects for the City of New York's Percent for Arts program, at the historic landmark site, McCarren Pool in Williamsburg, Brooklyn as well as at Boston's Brigham and Women's Hospital's new wing, The Building for a Better Future.
You can view more work from this series and others at Temple's website: marytemple.com.
|
|
|
|
|
|
|
|
|
|
|
|
|
