Morgan O'Hara
IVE TRANSMISSIONS render visible normally invisible or fleeting movement patterns through seismograph-like drawing done in real time. The pursuit of vitality carefully observed through human activity is drawn simultaneously with both hands and transmitted to paper. Following closely the intensity of each segment of an activity, the direction of the line as well as the quality of its intensity is transmitted. If a person makes a gentle movement, a delicate line is drawn. If the action followed is forceful or violent, a correspondingly vigorous line is made. This is done simultaneously and as much as possible without “thinking." The dialectic between observer and participant, control versus relaxed participation coalesce to form the conceptual base for LIVE TRANSMISSIONS. Scale and physical limitations are determined by real-life expediency. In 2018 there exist approximately 4000 LIVE TRANSMISSION drawings done both privately and publicly on five continents. LIVE TRANSMISSIONS communicate beyond the specificity of language.
HANDWRITING THE CONSTITUTION is a social art practice which O’Hara began in January 2017. It is a process by which people come together for a specific time period to handwrite the Constitution. This practice encourages a quiet, introspective process, a form of activism for introverts. As people copy out texts which guarantee freedom and human rights, a strong sense of community is silently created. www.handwritingtheconstitution.com
Handwriting the Constitution 1
New York City
Handwriting the Constitution 2
New York City
Handwriting the Constitution 3
Houston, Texas
Handwriting the Constitution 4
Berlin, Germany
Handwriting the Constitution 5
Venice, Italy
Handwriting the Constitution 6
Hong Kong, China
Handwriting the Constitution 7
Macau, China
Handwriting the Constitution 8
Mississauga, Canada
Handwriting the Constitution 9
Mississauga, Canada
Handwriting the Constotution 10
New York City
Handwriting the Constitution 11
Providence, Rhode Island
Handwriting the Constitution 12
Providence, Rhode Island
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ARTIST BIO |
Morgan O'Hara (b. Los Angeles 1941) was raised in an international community in post-war Japan. She earned a Master's Degree in Art from California State University at Los Angeles, had her first solo exhibition in the Musée Cantonal des Beaux Arts in Lausanne, Switzerland in 1978. In the 1980s she began doing performative drawing in international performance art festivals, did her first site specific wall drawings and began the practice of aikido, a Japanese martial art. In 1997 O'Hara's work was honored with a solo show in the Drawing Room at the Drawing Center in New York. Her work is in the permanent collections of many institutions, including: The British Museum, London; Kupferstichkabinett Berlin, Germany; Arkansas Art Center, Little Rock, Arkansas; Czech National Gallery, Prague; Hammer Museum, Los Angeles, California; Hood Museum of Art - Dartmouth College, New Hampshire; Janacek Museum, Brno, Czech Republic; Macau Art Museum, Macau, China; Moravian Gallery, Brno, Czech Republic; National Gallery of Art, Washington, D.C.; Olomouc Museum of Art, Czech Republic; Stedelijk Museum, Amsterdam; Vrie Universiteit OZW, Amsterdam, The Netherlands; Museo Nacional de Bellas Artes, Santiago, Chile; Wannieck Gallery, Brno, Czech Republic; Weatherspoon Gallery, Greensboro, North Carolina, Henie Onstadt Kunstzenter, Hovikodden, Norway. Her permanent site specific wall drawings can be found in the Macau Art Museum, Macau, China; The Canadian Academy Kobe, Japan, and the Vrije Universiteit OZW Building, Amsterdam, The Netherlands.
She has been awarded numerous international residencies and is recipient of the Lee Krasner Award for Lifetime Achiebvement as well as grants from the Pollock-Krasner Foundation, Gottleib Foundation, Foundation for Contemporary Arts, Leon Levy Foundation, David and Rosamond Putnam Travel Fund and Milton and Sally Avery Foundation. O'Hara O'Hara maintained her studio in Europe for 25 years. She currently resides in New York and works internationally.
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