POETRY CRITICISM FEATURED ARTIST CONTRIBUTORS GUIDELINES ABOUT TIMELINE
Michele Leavitt


Defective Mirror Image

I hate to say that one of you
has disappointed me. In lieu

of that, I'll say you're different.
One perfect, one discontent

as hell. To think, I bragged on both
of you, and decked you out in hosts

of toe rings, fancy shoes and polish.
You've stuck together in your smallish

way, resorting to irony.
My left foot won't embarrass me.

But this right one—she isn't right at all.
Bunion, hammer toe, odd ball.


Girlfriends

What are friends for?
For fun and more

importantly
the times that we

succeed against
the odds or sense,

or when we fail
for lack of male

appendages.
When messages

go wrong. To fill,
when we are ill,

an empty chair
and brush our hair.

































AUTHOR BIO

Michele Leavitt, a poet and essayist, is also a high school dropout, hepatitis C survivor, adoptee, and former trial attorney. Her essays appear in venues including The Rumpus, Shondaland, Catapult, and The Sycamore Review. Recent poems can be found in Poet Lore, North American Review, Stirring, and Baltimore Review. More at www.michelejleavitt.com

POETRY CONTRIBUTORS

Michelle Blake
Jane Blanchard
Barbara Lydecker Crane
Lee Ann Dalton
Susan de Sola
Michele Leavitt
Lynn Levin
Marjorie Maddox
Carolyn Martin
Bernadette McBride
Susan McLean
Kamilah Aisha Moon (Featured Poet)
Sally Nacker
Patrice Nolan
Katy Rawdon
Leslie Schultz
Myrna Stone
Gail Thomas
Nell Wilson

NEWS

The most recent addition to The Mezzo Cammin Women Poets Timeline is Louise Erdrich by Angela Alaimo O'Donnell.

Charlotte Innes was the recipient of the 2018 Mezzo Cammin Scholarship to the Poetry by the Sea conference.

FEATURED ARTIST
Megan Marlatt:Looking like large puppet heads, it was "anima", the root of "animation", that led me to the making of the big heads, (or "capgrossos" as they are called in Catalonia where I learned the craft.) Anima is the soul or what breathes life into a being and to animate an inanimate object, an artist must insert a little soul into it. However to bring attention to what is invisible, (the soul), I chose to mold its opposite in solid form: the persona, the ego, the big head, the mask. Nearly every culture across the globe has masks. They allow performers to climb into the skin of another being and witness the other's world from behind their eyes. While doing so, the mask erases all clues of the performer's age, gender, species or race. In this regard, I find them to be the most transformative and empathic of all human artifacts.

ARCHIVES
LINKS
POETRY
32 Poems
The Academy of American Poets
The Atlantic
The Christian Science Monitor
The Cortland Review
Favorite Poem Project
The Frost Place
The Iowa Review
Light Quarterly
Modern American Poetry
Measure
The Poem Tree
Poetry
Poetry Daily
Poetry Society of America
Poets House
Raintown Review
Slate
String Poet
Valparaiso Poetry Review
Verse Daily
Women's Poetry Listserv
The Yale Review

CONFERENCES
AWP
Bread Loaf
Poetry by the Sea
Sewanee


PUBLISHERS

Barefoot Muse Press
David Robert Books
David R. Godine Press
Graywolf Press
Headmistress Press
The Johns Hopkins University Press
Louisiana State University Press
Northwestern Univ Press
Ohio Univ Press
Persea Books
Red Hen Press
Texas Tech Univ Press
Tupelo Press
Univ of Akron Press
Univ of Arkansas Press
Univ of Illinois Press
Univ of Iowa Press
Waywiser Press
White Violet Press

BOOKS
Alibris
City Lights
Grolier Poetry Bookshop
Joseph Fox Bookshop
Prairie Lights
Tattered Cover Bookstore

OTHER RESOURCES
92nd Street Y
Literary Mothers
NewPages.com
Poets & Writers
10X10