Poetry Submission Guidelines
ezzo Cammin welcomes submissions of poetry that pays particular consideration to form. Poems in structured forms are especially welcome, but poems that use form in interesting and experimental ways are also encouraged.
Please submit four-six unpublished poems using our new Submittable portal.
Submission Guidelines for Essays
ezzo Cammin welcomes submissions of essays on any aspect of poetry in form by women. Suggested topics include studies of the work of a single author or group of authors; studies of how women have treated a particular form (such as the sonnet, or experimental forms); or controversies surrounding women writers and form (such as canonization or evolving attitudes toward poetic form).
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 Although we do not require essays to focus primarily or exclusively on formal elements of the poetry discussed, we do expect that essay writers will include some commentary on form as a way of illuminating their arguments.
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Although we do not require essays to focus primarily or exclusively on formal elements of the poetry discussed, we do expect that essay writers will include some commentary on form as a way of illuminating their arguments. We do not limit our purview to the twentieth century, or to poetry in English; however, we do ask you to provide translations if you submit an essay on women poets who write in languages other than English. Also, for essays accepted for publication in Mezzo Cammin, we may ask the writer to assist us in obtaining permission to quote coyrighted material. Unfortunately, at this time we do not pay for essays. We plan to run special features on a particular author or topic at least every other issue; the new topic will be announced in the preceding issue. Our preferred length is 5000 words (20 pages) but shorter or longer pieces may be considered. Please follow MLA citation format.
Please submit original, unpublished essays or queries as e-mail attachments in RTF (rich text format), to: evnsanna@comcast.net.
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| Brittany Vogel is an award-winning, New Jersey-based painter known for her bold color and beautifully expressive line. Her Powerful Women series has struck a chord well beyond the gallery walls, earning inclusion in multiple exhibitions including a Monmouth Museum x Smithsonian Exhibition and coverage in numerous press outlets, including Yahoo! News and feature spreads in TapInto and 07030 Magazine.
Vogel's work lives in public spaces as much as private collections. She created a 12-foot interactive mural, Suffragists Marching, in the Columbus Circle subway station, and has delivered artist talks at the Bruce Museum and the Hoboken Historical Museum. Her achievements include the competitive Merit Scholarship from the Art Students League of New York and features in three consecutive Monmouth Museum Annual Juried Exhibitions. She has mounted solo shows of both her Powerful Women and Order vs. Chaos series in New York City and New Jersey.
Whether she's covering a subway wall or a canvas, Vogel's aim is the same: command attention from across the room, then reward a closer look with a rich, layered story worth lingering over.
Brittany continues to paint, exhibit, and expand the Powerful Women series from her studio in Hoboken, New Jersey, adding new women and new stories to the collection.
For additional information, please visit www.BrittanyVogelArt.com.
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